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24x24" Erratic madness oil on canvas By Harry Carr For this piece I decided to take forward the scratching technique and incorporate it into this piece. This technique eludes to the madness and the feeling of being overwhelmed when in a huge city. This piece is very textural ,which was done to enhance the hectic mood of the piece. The composition of the cityscape Is intriguing because I purposely made some of the roads large to contrast against the smallness of the side streets. The thick bold roads also play to the idea that cities are very segregated places. people tend to stay in areas where their race , religion or nationality has settled. This means that people don't know much about each other and this turns into racism. the piece was painted one way then I moved the piece around to see which way looked more interesting and unusual. I quite liked this way of working because I didn't know how the piece was eventually going to look.
Abstract artwork on MDF. This is done via a pouring acrylics method, with the details painted on after, and is varnished ready to hang. It can be hung as is or framed as required. This work is 12 inches high by 8.25 inches wide. Varnished and ready to hang. Postage to mainland UK is included, postage abroad can be quoted for on request.
B48 Horse trio
Semi-abstract artwork on standard edge box canvas. This is done via a pouring acrylics method for the background and the horse shapes pulled out and further enhanced in parts, and is varnished ready to hang. The edges match the front and it can be framed or hung as it is. This work is 8 inches high by 20 inches wide. Varnished and ready to hang. Postage to mainland UK is included, postage abroad can be quoted for on request.
An Idea Begins... - a Sussex seascape
This is a 30 x 30 x 1.5 inches seascape skyscape painting that was inspired by a day out in Brighton. It shows a very small figure walking along the beach with a drama happening in the sky as he or she is forming an idea. The sun is partially hidden by the clouds but is emerging through them and forming patterns with them. It is semi abstract, expressionistic in style and the colours range from golden yellow through to deep reds and purples. Having lived in Brighton as an art student, I often had my best ideas and epiphany's walking the stony beach there. It is where I recovered my senses after upsets and made plans for the future. Humans need space in order to get a perspective on their lives and to sort out problems and not go mad. The sea is a wonderful place to do this so this painting is simply intended as a thank you to the sea and sky. The edges are white and no frame is needed.
Norwich Market in the rain
Acrylic painting on canvas-board, ready to frame. This is painted from a photo taken by my neice of Norwich market on a rainy day. the vibrancy of the flowers against the rain attracted me. I may have taken a little artistic leeway in colours and changing the buildings to suit - I'm an artist, its allowed ;-) This work is 20 inches high by 16 inches wide Varnished and ready to frame. Postage to mainland UK is included, postage abroad can be quoted for on request.
Title, In passage An old fishing boat lays abandoned on the shingle beach of Dungeness in Kent. She's in passage to a point in time where she will no longer be recognisable as a boat but merely debris littering the beach and finally minute fragments between the stones. The seagull a passenger for a brief moment in the time of her journey. These boats need to be remembered .
Tin Mine, Under & Overground2
Giclee print on Soft Textured Etching 310gsm paper, using archival lightfast pigment inks Paper size 23.5 x 16.5 inches ( 59.5 x 42 cm ) Image size 20.4 x 14.7 inches ( 51.8 x 37.3 cm ) Limited edition of 125 Signed and numbered by the artist (lightfast pencil within the image area) Taken from my own original painting, inspired by the history of our mining industry and the shapes that remain on the Cornish landscape