Gill Bustamante's Gallery
Gallery About the Artist
Gentle Souls is 40x40x1.4 inches large contemporary, semi abstract, art nouveau painting with two spotted fallow deer in a woodland clearing in winter. Both deer stand on a different plane and around them are abstract trees that hint of pine trees and frosty tree branches. There is a suggestion of a hazy sun above tree line and hills in the top right. The two female deer have appeared in a strange space that hints of the heart of a forest but is overlapping in possibilities with transparent layers. The colours range from white and cream through to pale yellow, blues, violets, orange and pinks. The inspiration for the painting came having seen the herd of deer at Knole Park in Kent. I was struck by how elegant and perfect these little deer are, and simply wanted to express this. I chose a semi abstract background as it allows me freedom that contrasts with the traditional handling of the deer. Above to the right is a suggestion of a moon. I like the mystery of this painting and I am happy I have caught some of the essence of the deer who remain a constant source of fascination for me. I often see them when walking and are always amazed at how such relatively large creatures can appear and disappear with such apparent ease. It is quite magical. The painting is on deep edge canvas, white edges, no frame needed, ready to hang
Seeing Beyond is 48x36x1.5 inches large oil on canvas painting, semi abstract art nouveau style dreamscape. The painting shows a view through a golden curtain where the gap is forming a distorted number eight or infinity symbol. Through this shape there is a white stag looking out over a lake with a waterfall and blossom trees all around him. Up in the tree on the left is a white raven. The gold curtain is transparent so you can see this other world through it. I have always believed in other universes and other realities and this is a painting that tries to show this in an aesthetically pleasing way (I hope). The white stag and the white raven are there to add a little a mystery and have their own story to tell. I am particularly happy with the change in colours between the gold curtain which is quite warm and colder colours of the landscape beyond as it adds another aspect again to a slightly strange fairy tale type painting. It is painted on deep edge canvas, white edges, ready to hang
Anticipation... is a 24x18x1.5 inches oil on canvas of a rainbow coloured abstract autumn forest path. It is another in a series of paintings of glowing autumn paths based on place near Sharpthorne and the Bluebell Railway in Sussex. I love the idea of paintings being portals to other places and this one looks quite magical to me. I called it 'anticipation' as that is what a good country walk delivers. You become fascinated by what is over the next hill or through the next forest. It never ceases to thrill me and I have tried to capture my enthusiasm in this little painting. It is dedicated to anyone else who would like to escape into it occasionally. It is on deep edge canvas, edges white, ready to hang, no frame needed.
The Owls Wood
The Owls Wood is 30x30x1.5 inches oil painting on canvas in contemporary art nouveau style of a white owl in an autumn wood. The painting shows a view along an autumn path through rows of trees vanishing in the distance. Autumn colours of greens, yellows, reds and oranges can be seen through white branches and the owl floats behind them in stealth mode as owls do. She is silent and deadly and beautiful and she owns this little forest. The paint is thick and luxurious and is reminiscent of stained glass. The painting started life as a more traditional autumn forest path painting but needed something extra so I added more as I like layers and the idea of things being hidden and then revealed. The painting is dedicated to owl lovers and anyone helping to keep our English forests ancient and beautiful and safe for their wildlife. It was inspired simply by how happy walks in Sussex landscapes make me and my quest to actually see a white barn owl in one of my walks which I am yet to do.
Summer Harmony is a small landscape oil painting 24x18x1.5 inches on canvas of a summer meadow and flowers with a swallow. It is art nouveau and semi abstract in style and very vibrant in colour. A swallow hovers over the meadow to the left and below her there are fields of wheat with wild flowers edging the fields.This is part of a series of paintings that try to capture the exuberance of Sussex fields and farmland in the summertime. Swallows feature often in my paintings as they are quite simply beautiful little birds and are only in the UK for the summer so it is a happy thing to see them. The painting is ready to hang, has white edges and does not need a frame.
Freedom is a 30 x 24 x 0.5 inches oil painting on canvas showing a lone seagull gliding over a calm blue sparkling sea. The ocean is tranquil and the gull is in no hurry. Behind her, the sea glows white towards the horizon which is lost in a white haze. Light sparkles show on the peaks of the turquoise blue waves. I painted this because I wanted something calming and serene and find it represents freedom for me. I also painted it during the hot summer days of July and really wanted to be on holiday so it became a substitute :-) It had to be a lone gull because I am a fan of Jonathan Livingston Seagull by Richard Bach. The painting is ready to hang, white edges, frame recommended but not essential
Equine Dreaming - large abstract oil painting in red and black with tw
Equine Dreaming is 44x54 inches large, framed red painting of two black Arabian horses, abstract style, in a poppy field. This painting was originally painted to show me as a little girl in a poppy field dreaming of the two horses I would one day own. Unfortunately I grew up allergic to horses so this never happened. Instead, I painted them. Recently I made the painting more abstract and added a red background. You can still see a suggestion of poppies and green fields, hills and trees beyond the two back horses and you can still see a little girl in a yellow dress picking poppies and dreaming of horses. I chose red simply because it works well with black and is the complement to green which was the original background colour. The painting is framed in a metallic burnished copper and silver frame, two inches wide and 1.5 inches deep. The shine works beautifully with the shine of the two horses and the radiant red background
A Piece of Magic - a pink abstract painting with birds and wildflowers
A Piece of Magic is a 30x40x1.5 inches original oil painting of two nuthatch birds in the corner of a wildflower field at dawn. It is art nouveau, semi abstract, and part traditional in style and was inspired by me spotting one of these little birds on a tree trunk for the first time recently. They are small and elusive and very endearing little birds but quite hard to see as they are so small. The background of this painting is pink, lilac, light blue, golden yellow and white and is my attempt to hint at sun through a tangle of meadow of flowers in May at dawn. I observe what I see around me as I walk through the landscape but do not try to capture botanical accuracy. Instead I paint the impression formed on my memory from something I have seen and want to share. For this reason the birds are painted fairly realistically but their little corner of a field is only hinted at as it easier for me to show the feeling of it this way. Paintings are little worlds presented by artists to show what they find beautiful or ugly about the world. I prefer to concentrate on the beauty of this world rather than the ugly and I love how nature is permanently performing beautiful little scenarios like this, available to anyone who makes the effort to go and look. This painting is on deep edge canvas, white edges, no frame needed, ready to hang.
The Discovery - a woodland wildflower abstract
The Discovery is a 30x40x1.5 inches semi abstract original landscape oil painting of a bluebell glade in a woodland in spring. It was inspired by April in England which is simply the best month of the year as it is when nature, birds, trees, insects and plants are going bonkers in their enthusiasm to reproduce. The painting is semi abstract in style and shows a glimpse of a pond in a a slightly hazy woodland glade. The colours are pinks, lilacs, greens and blues and look like the impression you get when you are in a bluebell wood with your glasses off - blurry and mysterious and magical. I live in Sussex which used to be one massive forest and all over it, it still had thousands of pockets of trees and woods that are ancient and varied in character. All are different in atmosphere though and this adds to their fascination. I love to walk in such places and I try to capture the thrill it gives me and pass in on via a painting. This one says what I want it to very well I think and I hope it inspires others to go walk wherever they are. Listen to birds, watch some nature, smell some flowers and see if life does not then look a whole lot better :-) White edges, deep edge canvas, ready to hang, no frame needed.
Ice Tiger - a large oil on canvas by Gill Bustamante of a tiger by a w
Ice Tiger is a 40 x 40 x 1.5 inches large oil painting on canvas of a white tiger in a distant and strange land. The tiger is stalking along a branch to the left while behind her there is gauzy fantastical landscape that hints of trees and waterfalls in a jungle like landscape. It is art nouveau, contemporary expressionistic, semi-abstract in style and was made by layering many colours over one another with the final layer being white. My aim with the painting was to create a land where a tiger could be free. And because tiger survival is a precarious thing right now, I wanted the painting to be whimsical and fleeting and strange. I think I achieved this! The tiger was originally orange and quite traditionally painted but has become distorted and more abstract as I added more layers. This is big fresh painting that will fit well in clean white spaces. It is on deep edge canvas, white edges, no frame needed, ready to hang.